{"id":4680,"date":"2022-04-12T20:26:51","date_gmt":"2022-04-12T17:26:51","guid":{"rendered":"http:\/\/journal.phaselis.org\/?p=4680"},"modified":"2022-04-12T20:26:51","modified_gmt":"2022-04-12T17:26:51","slug":"pha-0147","status":"publish","type":"post","link":"http:\/\/journal.phaselis.org\/en\/2022-en\/pha-0147","title":{"rendered":"The Xanthus Theatre Cavea: Reconstruction of Early Empire Period"},"content":{"rendered":"<p><em><strong><span lang=\"EN-US\">Ksanthos Tiyatro Caveas\u0131: Erken \u0130mparotorluk D\u00f6nemi\u2019nin Rekonstr\u00fcksiyonu<\/span><\/strong><\/em><\/p>\n<p style=\"text-align: left;\"><strong>Ayta\u00e7 D\u00d6NMEZ<\/strong><br \/>\n<sub><img decoding=\"async\" class=\"alignnone wp-image-3003\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2019\/02\/ORCID_mini.png\" alt=\"\" width=\"14\" height=\"14\" \/>\u00a0<\/sub>https:\/\/orcid.org\/0000-0002-5326-8129<\/p>\n<div class=\"two_third\"><div class=\"divider_line\"><\/div>\n<p><strong><em>PHASELIS<\/em> VII (2022) 53-72<br \/>\n<\/strong><strong>DOI<\/strong>: 10.5281\/zenodo.6454261<br \/>\n<strong>Received Date<\/strong>: 04.03.2022 | <strong>Acceptance Date<\/strong>: 08.04.2022<br \/>\n<strong>Online Publication Date<\/strong>: 12.04.2022<\/p>\n<div class=\"divider_line\"><\/div><\/div>\n<div class=\"one_third last\"><div id=\"framed_box_c4ba20b6c7d213574a77e3d331d6698d\" class=\"framed_box\">\n\t<div class=\"framed_box_content\">\n\t\t\n<p><a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2020\/06\/Pha.20005.pdf\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-45 alignnone\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/pdf.jpg\" alt=\"pdf\" width=\"18\" height=\"18\" \/><\/a><a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2022\/04\/Pha.22005.pdf\" rel=\"noopener\">\u00a0 <strong>Get<\/strong> <strong>PDF<\/strong><\/a><\/p>\n<p><strong><a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2020\/06\/Pha.20005.pdf\" rel=\"noopener\"><img decoding=\"async\" class=\"alignnone wp-image-46\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/references.jpg\" alt=\"references\" width=\"18\" height=\"18\" \/><\/a>\u00a0<\/strong>\u00a0<a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2022\/04\/Pha.22005.pdf\"><strong>View PDF<\/strong><\/a><\/p>\n<p data-wp-editing=\"1\"><a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/info.jpg\" class=\"wp_lightbox\" rel=\"post_4680\"><img decoding=\"async\" class=\"alignnone wp-image-44\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/info.jpg\" alt=\"info\" width=\"18\" height=\"18\" \/><\/a>\u00a0 <b><a href=\"http:\/\/journal.phaselis.org\/2022\/pha-0147#refs\">References<\/a><\/b><\/p>\n\n\t\t<div class=\"framed_box_space\"><\/div>\n\t<\/div>\n<\/div>\n<\/div><div class=\"clearboth\"><\/div>\n<p style=\"text-align: justify;\"><strong>Abstract: <\/strong>Xanthus Theater is located on the west side of the city centre. Located between the Western Agora and the Lycian Acropolis, the building draws attention especially with its topographic and physical characteristics of the area. The theater, the first phase of which is dated to the II<sup>nd<\/sup> century BC, was badly damaged after the great earthquake in the II<sup>nd<\/sup> century A.D., and was almost rebuilt with major architectural changes and additions made during the Antonine and Severan periods. However, the capacity of the cavea decreased from 4628 to 2826 people, with the architectural changes implemented in the ima cavea, firstly the conversion of the theater into an arena in the second half of the III<sup>rd<\/sup> century A.D., and then the use of the seats removed from the summa cavea for the construction of the castron wall in the VI<sup>th<\/sup> century A.D. In addition to these changes, the vomitorium and the cavea support vaults in the east were demolished at a later period, which we do not know yet, and the cavea took its present form. In this study, the architectural structure of the Early Imperial Period cavea, about which we have limited information, has been tried to be reconstructed on the basis of detailed descriptions and evaluations.<\/p>\n<p><strong>Keywords: <\/strong>Theatre, Cavea, Xanthus, Arena, Roman Period<\/p>\n<div class=\"divider top\" style=\"border-color:rgba(194,205,216,1);padding-top:5px;margin-bottom:30px;border-bottom-width:1px\"><a href=\"#\">Top<\/a><\/div>\n<p style=\"text-align: justify;\"><strong>\u00d6z: <\/strong>Ksanthos Tiyatrosu kent merkezinin bat\u0131 yakas\u0131nda yer almaktad\u0131r. Bat\u0131 Agora ile Lykia Akropolisi aras\u0131nda konumlanan yap\u0131 \u00f6zellikle bulundu\u011fu alan\u0131n topo\u011frafik ve fiziki \u00f6zellikleri ile olduk\u00e7a dikkat \u00e7ekmektedir. \u0130lk evresi M\u00d6 II. y\u00fczy\u0131la tarihlendirilen tiyatro, MS II. y\u00fczy\u0131ldaki b\u00fcy\u00fck deprem sonras\u0131 olduk\u00e7a hasar g\u00f6rm\u00fc\u015f, bunun \u00fczerine Antoninuslar ve Severuslar d\u00f6nemlerinde ger\u00e7ekle\u015ftirilen b\u00fcy\u00fck mimari de\u011fi\u015fiklikler ve ekle\u00admelerle neredeyse yeniden in\u015fa edilmi\u015ftir. Ancak, \u00f6ncelikle MS III. y\u00fczy\u0131l\u0131n II. yar\u0131s\u0131nda tiyatronun arenaya d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi i\u00e7in ima cavea\u2019da uygulanan mimari de\u011fi\u015fiklikler, sonras\u0131nda ise MS VI. y\u00fczy\u0131lda kastron duvar\u0131n\u0131n in\u015fas\u0131 i\u00e7in summa caveadan s\u00f6k\u00fclen oturma s\u0131ralar\u0131 ile birlikte cavea\u2019n\u0131n kapasitesi 4628 ki\u015fiden 2826 ki\u015fiye d\u00fc\u015fm\u00fc\u015ft\u00fcr. Bu de\u011fi\u015fikliklerin yan\u0131 s\u0131ra hen\u00fcz bilmedi\u011fimiz daha ge\u00e7 bir d\u00f6nemde do\u011fu y\u00f6ndeki vomitorium ile cavea destek tonozlar\u0131 y\u0131k\u0131lm\u0131\u015f ve cavea g\u00fcn\u00fcm\u00fczdeki son halini alm\u0131\u015ft\u0131r. Bu \u00e7al\u0131\u015fmada, bug\u00fcne kadar hakk\u0131nda s\u0131n\u0131rl\u0131 bilgiye sahip oldu\u011fumuz Erken \u0130mparatorluk D\u00f6nemi cavea\u2019s\u0131n\u0131n mimari yap\u0131s\u0131, ayr\u0131nt\u0131l\u0131 tan\u0131mlamalar ve de\u011ferlendirmeler temelinde yeniden olu\u015fturulmaya \u00e7al\u0131\u015f\u0131lm\u0131\u015ft\u0131r.<\/p>\n<p><strong>Anahtar s\u00f6zc\u00fckler: <\/strong>Tiyatro, Cavea, Ksanthos, Arena, Roma D\u00f6nemi<\/p>\n<div class=\"divider_padding\"><\/div>\n<p><a name=\"refs\"><\/a><div class=\"tabs_container\"><ul class=\"tabs\"><li><a href=\"#\">References<\/a><\/li><li><a href=\"#\">Citation<\/a><\/li><li><a href=\"#\">Direct Link<\/a><\/li><li><a href=\"#\">About Author(s)<\/a><\/li><\/ul><div class=\"panes\"><div class=\"pane\"><p>Akat S. 2001, <em>Lydia B\u00f6lgesinde Bulunan Gladyat\u00f6r An\u0131tlar\u0131<\/em>. 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Denmark.<\/p><\/div><div class=\"pane\"><p>D\u00f6nmez A. 2022, \u201cThe Xanthus Theatre Cavea: Reconstruction of Early Empire Period\u201d. <em>Phaselis<\/em> VIII, 53-72. http:\/\/dx.doi.org\/10.5281\/zenodo.6454261<\/p><\/div><div class=\"pane\"><p>http:\/\/dx.doi.org\/10.5281\/zenodo.6454261<\/p><\/div><div class=\"pane\"><p><strong>Ayta\u00e7 D\u00d6NMEZ<\/strong><br \/>\nDr., Akdeniz \u00dcniversitesi, Edebiyat Fak\u00fcltesi, Arkeoloji B\u00f6l\u00fcm\u00fc, Antalya. donmezaytac@gmail.com |\u00a0 https:\/\/orcid.org\/0000-0002-5326-8129<\/p><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ksanthos Tiyatro Caveas\u0131: Erken \u0130mparotorluk D\u00f6nemi\u2019nin Rekonstr\u00fcksiyonu Ayta\u00e7 D\u00d6NMEZ \u00a0https:\/\/orcid.org\/0000-0002-5326-8129 Abstract: Xanthus Theater is located on the west side of the city centre. Located between the Western Agora and the Lycian Acropolis, the building draws attention especially with its topographic and physical characteristics of the area. The theater, the first phase of which is dated &#8230;<\/p>\n","protected":false},"author":1,"featured_media":4674,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[64],"tags":[],"_links":{"self":[{"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/posts\/4680"}],"collection":[{"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/comments?post=4680"}],"version-history":[{"count":3,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/posts\/4680\/revisions"}],"predecessor-version":[{"id":4696,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/posts\/4680\/revisions\/4696"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/media\/4674"}],"wp:attachment":[{"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/media?parent=4680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/categories?post=4680"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/tags?post=4680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}