{"id":4813,"date":"2022-10-16T13:17:01","date_gmt":"2022-10-16T10:17:01","guid":{"rendered":"http:\/\/journal.phaselis.org\/?p=4813"},"modified":"2023-01-04T11:17:27","modified_gmt":"2023-01-04T08:17:27","slug":"pha-0154","status":"publish","type":"post","link":"http:\/\/journal.phaselis.org\/en\/uncategorized\/pha-0154","title":{"rendered":"Afyon M\u00fczesi\u2019nden Aphrodite Louvre-Napoli Tipinde Bir Heykelcik"},"content":{"rendered":"<p><em><strong><span lang=\"EN-US\">An Aphrodite Louvre-Napoli Type Statuette From Afyon Museum<\/span><\/strong><\/em><\/p>\n<p style=\"text-align: left;\"><strong>Nizam ABAY<\/strong><br \/>\n<sub><img decoding=\"async\" class=\"alignnone wp-image-3003\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2019\/02\/ORCID_mini.png\" alt=\"\" width=\"14\" height=\"14\" \/>\u00a0<\/sub>https:\/\/orcid.org\/0000-0002-8334-4436<\/p>\n<div class=\"two_third\"><div class=\"divider_line\"><\/div>\n<p><strong><em>PHASELIS<\/em> VIII (2022) 157-164<br \/>\n<\/strong><strong>DOI<\/strong>: 10.5281\/zenodo.7212858<br \/>\n<strong>Received Date<\/strong>: 27.06.2022 | <strong>Acceptance Date<\/strong>: 31.07.2022<br \/>\n<strong>Online Publication Date<\/strong>: 16.10.2022<\/p>\n<div class=\"divider_line\"><\/div><\/div>\n<div class=\"one_third last\"><div id=\"framed_box_5c3f1b5ff0c0f7b8e0ce4dd37199476a\" class=\"framed_box\">\n\t<div class=\"framed_box_content\">\n\t\t\n<p><a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2020\/06\/Pha.20005.pdf\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-45 alignnone\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/pdf.jpg\" alt=\"pdf\" width=\"18\" height=\"18\" \/><\/a><a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2022\/10\/Pha.22012-1.pdf\" rel=\"noopener\">\u00a0 <strong>Get PDF<\/strong><\/a><\/p>\n<p><strong><a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2020\/06\/Pha.20005.pdf\" rel=\"noopener\"><img decoding=\"async\" class=\"alignnone wp-image-46\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/references.jpg\" alt=\"references\" width=\"18\" height=\"18\" \/><\/a>\u00a0<\/strong>\u00a0<a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2022\/10\/Pha.22012-1.pdf\"><strong>View PDF<\/strong><\/a><\/p>\n<p data-wp-editing=\"1\"><a href=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/info.jpg\" class=\"wp_lightbox\" rel=\"post_4813\"><img decoding=\"async\" class=\"alignnone wp-image-44\" src=\"http:\/\/journal.phaselis.org\/wp-content\/uploads\/2015\/06\/info.jpg\" alt=\"info\" width=\"18\" height=\"18\" \/><\/a>\u00a0 <b><a href=\"http:\/\/journal.phaselis.org\/2022\/pha-0154#refs\">References<\/a><\/b><\/p>\n\n\t\t<div class=\"framed_box_space\"><\/div>\n\t<\/div>\n<\/div>\n<\/div><div class=\"clearboth\"><\/div>\n<p style=\"text-align: justify;\"><strong>\u00d6z: <\/strong>Bu \u00e7al\u0131\u015fma Afyon Arkeoloji M\u00fcze deposunda yer alan ancak envantere al\u0131nmayan et\u00fctl\u00fck bir mermer kad\u0131n heykelci\u011fini konu edinmektedir. M\u00fcsadere yoluyla m\u00fczeye kazand\u0131r\u0131lan ve \u00fc\u00e7 par\u00e7a \u015feklinde korunan ta\u015fra i\u015f\u00e7ilik kalitesindeki bu heykelci\u011fin 24 cm y\u00fcksekli\u011fi, 13 cm geni\u015fli\u011fi ve 5.5 cm olarak da derinli\u011fi belirlenmi\u015ftir. Heykelci\u011fin ba\u015f ve pazudan itibaren sa\u011f ve sol kol k\u0131sm\u0131 kay\u0131pt\u0131r. Khiton ve himation giyimli kad\u0131n heykelci\u011fine sol yan\u0131nda elinde bir obje tutmu\u015f k\u00fc\u00e7\u00fck bir \u00e7ocuk da e\u015flik eder.<br \/>\nEserin buluntu yerinin bilinmemesi i\u015flev ve tarih sorununa neden olmu\u015ftur ancak yap\u0131lan tipolojik ve stilistik k\u0131yaslamalar ile bu sorunlara dair \u00e7\u00f6z\u00fcm \u00f6nerileri sunulmu\u015ftur. Dolay\u0131s\u0131yla t\u00fcm bu de\u011ferlendirmeler \u0131\u015f\u0131\u011f\u0131nda eserin Aphrodite\u2019nin Hellenistik D\u00f6nem kopyas\u0131 olan Ven\u00fcs Genetrix veya di\u011fer ad\u0131yla Louvre-Napoli tipini temsil etti\u011fi g\u00f6r\u00fclmektedir. \u00c7ocuk fig\u00fcr\u00fcn\u00fcn de tanr\u0131\u00e7an\u0131n o\u011flu Eros oldu\u011fu anla\u015f\u0131lmaktad\u0131r. Ayr\u0131ca benzerleriyle yap\u0131lan k\u0131yaslamalardan heykelci\u011fe MS III. y\u00fczy\u0131la ait bir tarih aral\u0131\u011f\u0131 \u00f6nerebiliriz. K\u00fc\u00e7\u00fck \u00f6l\u00e7ekli bu heykelci\u011fin Roma D\u00f6nemi\u2019nde adak olarak veya ev k\u00fcltlerinde dinsel ama\u00e7la kullan\u0131ld\u0131\u011f\u0131n\u0131 da belirlenmi\u015ftir. T\u00fcm bu hususlar da Afyon heykelt\u0131ra\u015fl\u0131k \u00f6rne\u011finin Hellen heykel sanat\u0131na ve Roma D\u00f6nemi kopya heykelt\u0131ra\u015fl\u0131k eserlerine baz\u0131 yenilikler ve \u00e7\u00f6z\u00fcmler sa\u011flad\u0131\u011f\u0131n\u0131 a\u00e7\u0131k\u00e7a ortaya koymaktad\u0131r.<\/p>\n<p><strong>Anahtar s\u00f6zc\u00fckler: <\/strong>Afyon M\u00fczesi, Heykelcik, Aphrodite, Tipoloji, Stil<\/p>\n<div class=\"divider top\" style=\"border-color:rgba(194,205,216,1);padding-top:5px;margin-bottom:30px;border-bottom-width:1px\"><a href=\"#\">Top<\/a><\/div>\n<p style=\"text-align: justify;\"><strong>Abstract: <\/strong>This study focused on the non-inventory female statuette from the Afyon Archaeology Museum storehouse. This statuette was brought to the museum through confiscation and preserved in three pieces with a height of 24 cm, a width of 13 cm, and a depth of 5.5 cm. The right and left arm parts of the figurine are missing from the head and shoulder. The statuette of a woman dressed in chiton and hymation is accompanied by a small child holding an object in her left hand.<br \/>\nSince the discovered place of the artifacts was not identified there is confusion about function and dating. However, solutions for these complications were presented with the typological and stylistic comparisons of sculpture. Therefore, according to all these evaluations, it is seen that the work represents the Venus Genetrix or Louvre-Naples type, which is the Hellenistic Period copy of Aphrodite. It is understood that the child figure is the son of the god Eros. In addition, according to the results of similar artifact comparisons, suggests a date range for the statuette the IIIrd century AD. It has also been determined that this small-scale figurine was used for religious purposes in the Roman period as an offering or in house cults. All these aspects clearly reveal that the example of Afyon sculpture provides some innovations and solutions to Greek sculpture art and Roman period copy sculptures.<\/p>\n<p><strong>Keywords: <\/strong>Afyon Museum, Statuette, Aphrodite, Typology, Style<\/p>\n<div class=\"divider_padding\"><\/div>\n<p><a name=\"refs\"><\/a><div class=\"tabs_container\"><ul class=\"tabs\"><li><a href=\"#\">References<\/a><\/li><li><a href=\"#\">Citation<\/a><\/li><li><a href=\"#\">Direct Link<\/a><\/li><li><a href=\"#\">About Author(s)<\/a><\/li><\/ul><div class=\"panes\"><div class=\"pane\"><p>Ak\u00e7ay B, 2007, <em>Perge G\u00fcney Hamam\u0131 Heykelt\u0131ra\u015fl\u0131k eserleri.<\/em> Yay\u0131mlanmam\u0131\u015f Y\u00fcksek Lisans Tezi, \u0130stanbul \u00dcniversitesi. \u0130stanbul.<br \/>\nAlexandridis A. 2004, <em>Die Frauen des r\u00f6mischen Kaiserhauses<\/em>. Mainz.<br \/>\nAmelung W. 1908, <em>Die Skuplturen Vatikanischen Museums II<\/em>. Berlin.<br \/>\nBartman E. 1992, <em>Ancient Sculptural Copies in Miniature. <\/em>New York.<br \/>\nBear T. D. 1992, \u201cAfyon M\u00fczesin\u2019de Bir Heykel Definesi\u201d. <em>AST<\/em> 10<em>, <\/em>147-152.<br \/>\nBieber M. 1933, \u201cDie Venus Genetrix des Arkesilaos\u201d. <em>RM <\/em>48, 261-276.<br \/>\nBieber M. 1977, <em>Ancient Copies Contributions to The History of Greek and Roman Art. <\/em>New York.<br \/>\nBrinke M. 1996, \u201cDie Aphrodite Louvre-Neapel\u201d. <em>AntPl<\/em> 25, 7-64.<br \/>\nDelivorrias A., Berger-Doer G. &amp; Kossatz-Deissmann A. 1984, \u201cAphrodite\u201d. Ed. N. Yalouris, <em>LIMC II<\/em>, <em>1-2. <\/em>Z\u00fcrih\/M\u00fcnih, 1-153.<br \/>\nDin\u00e7 M. 2013,<em> Tralleis Heykelt\u0131ra\u015fl\u0131k Eserleri: 1996\u20132002 Kaz\u0131lar\u0131nda Ele Ge\u00e7en Hellenistik ve Roma D\u00f6nemi Mermer Heykelt\u0131ra\u015fl\u0131k Buluntular\u0131. <\/em>Yay\u0131mlanmam\u0131\u015f Doktora Tezi, Mersin \u00dcniversitesi. Mersin.<br \/>\nFilges A. 1999, \u201cMarmorstatuetten aus Kleinasien Zu Ikonographie, Funktion und Produktion antoninischer, severischer und sp\u00e4terer Idealplastik\u201d. <em>IstMitt <\/em>49, 377-430.<br \/>\nFuchs W. 1954, <em>Zum Aphrodite-typus Louvre- Neapel und seinen Neuatticishen Umbildungen<\/em>, <em>Neue Beitrage zur Kassicischen Altertumswissenschaft<\/em>. K\u00f6ln.<br \/>\nG\u00fclbay O. 2014, \u201cA Group of Marble Statuettes in the \u00d6demi\u015f Museum\u201d. <em>SDU Faculty of Arts and Sciences Journal of Social Sciences <\/em>32<em>, <\/em>177-196<em>.<\/em><br \/>\n\u0130nan J. 1975, <em>Side\u2019nin Roma Devri Heykeltra\u015fl\u0131\u011f\u0131<\/em>. Ankara.<br \/>\n\u0130nan J. 1980, \u201cPerge Kaz\u0131s\u0131 1979 \u00c7al\u0131\u015fmalar\u0131\u201d. <em>KST <\/em>II, 5-9.<br \/>\n\u0130nan J. 1990, \u201cPerge\u2019de \u0130lk Kez Rastlanan Nemesis Tipi\u201d, <em>X. T\u00fcrk Tarih Kongresi, <\/em>Kongreye sunulan bildiriler, I. Cilt, S.10, TTK Bas\u0131mevi. 22-26 Eyl\u00fcl 1986, Ankara, 239-245.<br \/>\nMendel G. 1914, <em>Catalogue Des Sculptures Grecques, Romaines Et Byzantines<\/em>. Constantinpole.<br \/>\nMarion T. &amp; Hamma K. 1994. <em>A Passion for Antiquities: Ancient Art from the Collection of Barbara and Lawrence Fleischman. <\/em><br \/>\nPaul J. 1994, Getty Museum in association with the Cleveland Museum of Art. Malibu.<br \/>\n\u00d6ztun\u00e7 H. Y. &amp; Erko\u00e7 S. 2019, \u201cSide M\u00fczesi\u2019nde Bulunan Bir Grup Mermer Aphrodite Heykelci\u011fi\u201d. <em>Colloquium Anatolicum <\/em>2019\/18, 123-138.<br \/>\nPensabene P. 2008, \u201cSu alcuni aspetti produttivi delle \u201cscuole\u201d di scultura di Docimio, Afrodisia e Nicomedia\u201d. <em>JRA<\/em> 80, 46-48.<br \/>\nRidgway B. S. 1994, <em>Greek Sculpture In The Art Museum Princeton University: Greek Originals, Roman Copies and Variants<\/em>. New Jersey.<br \/>\nRiemann H. 1940, <em>Kerameikos; Die Skulpturen Vom 5. Jahrundert Bis \u0130n R\u00f6mische Zeit<\/em>. Berlin.<br \/>\nReinach S. 1924, <em>Repertoire De La Statuaire Grecque Et Romaine, I-V<\/em>. Edition, Ernest Leroux. Paris.<br \/>\nRoman L. &amp; Roman M. 2010, <em>Encyclopedia of Greek and Roman Mythology<\/em>. New York.<br \/>\nRomano I. B. 2006, <em>Classical sculpture: Catalogue of Cypriot, Greek, and Roman Stone Sculpture in the University of Pennsylvania Museum of Archeology and Anthropolgy. <\/em>Philadelphia.<br \/>\nSchmidt<em>, <\/em>E. 1997, \u201cVenus\u201d. Ed. V. Lambrinoudakis, <em>LIMC VIII, 1-2. i\u00e7inde<\/em>. Z\u00fcrih\/M\u00fcnih, 192-230.<br \/>\nS\u00f6nmez B. 2020, <em>Roma \u0130mparatorluk D\u00f6nemi Afyon M\u00fczesinde Bulunan Adak Heykelcikleri<\/em>. Yay\u0131mlanmam\u0131\u015f Doktora Tezi, Sel\u00e7uk \u00dcniversitesi. Konya.<br \/>\nStewart A. 1990, <em>Greek Sculpture. <\/em>New Haven.<br \/>\nVigneau A. 1938, <em>Encyclop\u00e9die Photograhique De L\u2019art: Le Musee Du Louvre III<\/em>. Paris.<\/p><\/div><div class=\"pane\"><p>Abay N. 2022, \u201cAfyon M\u00fczesi\u2019nden Aphrodite Louvre-Napoli Tipinde Bir Heykelcik\u201d. <em>Phaselis<\/em> VIII, 157-164. http:\/\/dx.doi.org\/10.5281\/zenodo.7212858<\/p><\/div><div class=\"pane\"><p>http:\/\/dx.doi.org\/10.5281\/zenodo.7212858<\/p><\/div><div class=\"pane\"><p><strong>Nizam ABAY<\/strong><br \/>\nDr. \u00d6\u011fr. \u00dcyesi, Sel\u00e7uk \u00dcniversitesi, Edebiyat Fak\u00fcltesi, Arkeoloji B\u00f6l\u00fcm\u00fc, Konya. nizamabay@selcuk.edu.tr |\u00a0 https:\/\/orcid.org\/0000-0002-8334-4436<\/p><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>An Aphrodite Louvre-Napoli Type Statuette From Afyon Museum Nizam ABAY \u00a0https:\/\/orcid.org\/0000-0002-8334-4436 \u00d6z: Bu \u00e7al\u0131\u015fma Afyon Arkeoloji M\u00fcze deposunda yer alan ancak envantere al\u0131nmayan et\u00fctl\u00fck bir mermer kad\u0131n heykelci\u011fini konu edinmektedir. M\u00fcsadere yoluyla m\u00fczeye kazand\u0131r\u0131lan ve \u00fc\u00e7 par\u00e7a \u015feklinde korunan ta\u015fra i\u015f\u00e7ilik kalitesindeki bu heykelci\u011fin 24 cm y\u00fcksekli\u011fi, 13 cm geni\u015fli\u011fi ve 5.5 cm olarak da &#8230;<\/p>\n","protected":false},"author":1,"featured_media":4818,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[64,11],"tags":[],"_links":{"self":[{"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/posts\/4813"}],"collection":[{"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/comments?post=4813"}],"version-history":[{"count":5,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/posts\/4813\/revisions"}],"predecessor-version":[{"id":4989,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/posts\/4813\/revisions\/4989"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/media\/4818"}],"wp:attachment":[{"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/media?parent=4813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/categories?post=4813"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/journal.phaselis.org\/en\/wp-json\/wp\/v2\/tags?post=4813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}